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Occupy Boston's Idle Douchebag Safety Issue
John Ford of the Occupy Boston library tent raises the issue of drug use and idleness at an impromptu emergency meeting last Saturday afternoon As...
| November 08, 2011
Review: True Grit (2010)
Those who saw John Wayne's Oscar-winning, scenery-chewing turn as "Rooster" Cogburn in Henry Hathaway's 1969 adaptation of True Grit might have a hard time shaking that off when it comes to appreciating Jeff Bridges in the same part.
The Coen brothers are True to Grit
| December 24, 2010
Music for the love of it
Whether driving his Men of Great Courage on a tune about a spooky midnight stroll, or gently declaring a deep camaraderie with “We Shall Always Remain Friends,” Cutler’s concocting a soundtrack to the feelings in the room.
From the Schemers to the Men of Great Courage, Mark Cutler’s songs have always gotten to ‘that special kind of place’
| May 07, 2010
The onliest Sonny
Sonny Rollins has held the unofficial title of world’s greatest living improviser at least since the early ’70s, following the death of John Coltrane and the second of two extended Rollins sabbaticals from public performance.
Rollins looks at 80
| April 09, 2010
One of the most enigmatic close-ups I’ve seen on screen this year is of a sheep. It stares into the camera at the beginning of Ilisa Barbash & Lucien Castaing-Taylor’s documentary about a round-up of the critters in Montana’s Beartooth Mountains, rum
Triumph of the wool
| April 02, 2010
Review: ASP's The Duchess of Malfi, Nora's The Cherry Orchard
T.S. Eliot famously opined that John Webster saw "the skull beneath the skin."
| January 13, 2009
Just a little bit
Digital-era experimental filmmakers occupy a rich and interesting place in relation to the new technology available to them.
‘Lossless’ at The Sert Gallery, ‘Overflow’ at Laconia Gallery, Garry Knox Bennett at the Fuller, and String-Theory-inspired art and music at NESAD
| September 23, 2008
Portland Ballet Company will present its annual Portland Dances! New Works Showcase, a sampler of original jazz, modern, point, and experimental choreography.
Ballet showcase grows and grows
| August 12, 2008
My one brush with the late Otto Preminger seems like a typical encounter.
| May 13, 2008
Body of War
Tomas Young volunteered for the US Army right after 9/11, hoping to be sent to Afghanistan and chase down Osama bin Laden.
| April 09, 2008
Portland Ballet isn’t all pliés and tendus.
Portland Dances! addresses society's problems
| August 15, 2007
Editors' picks 2007: City Life
Bally Total Fitness, Pleasant Street Park, and In Our Hearts.
Best empty space, best downtown escape from the city, and more
PORTLAND PHOENIX STAFF
| April 19, 2007
This noisy animated paean to NASCAR and Route 66 gets mired in the middle laps on a grippy track.
Pixar's rise of the machines is slow death in the fast lane
| February 20, 2007
Sure, we all know Get Smart! is out on DVD in time for the holidays, and the Superman films (all of them, going back to 1948), and Mission Impossible: The Ultimate Missions Collection , sure, sure, as if you could miss the bleating sirens of studio pu
Film-smart gifts for people who think they’ve seen everything
| December 07, 2006
One of the first questions at a Manhattan press conference for Martin Scorsese’s Boston-set mob thriller is addressed to “Matt and Ben.” Fateful Departed: Scorsese haunts the mean streets of Beantown. By Peter Keough
Scorsese, Damon, and DiCaprio honor The Departed
| October 04, 2006
Janet Gaynor was the first actress to win the Academy Award, and in her day — the late-silent and early-talkie eras — she was fantastically popular, especially in the 11 movies she made with the likable, curly-haired Charles Farrell.
Janet Gaynor at the Harvard Film Archive
| September 27, 2006
“For the spirit searcheth all things, yea, the bottom of God’s secrets.” That quotation from the 1557 Geneva Bible’s First Corinthians is the unlikely foundation of Ron Rosenbaum’s The Shakespeare Wars .
Ron Rosenbaum on Bottom, bottomlessness, the Bard, and . . . Ron
| September 19, 2006
When Yeats wrote, “How can we know the dancer from the dance?”, he probably wasn’t thinking of the effect different casts can have on the performance of a ballet.
Boston Ballet’s Carmen , round two
| May 25, 2006
Flashbacks, May 12, 2006
These selections, culled from our back files, were compiled by Chris Brook and Ian Sands.
The Boston Phoenix has been covering the trends and events that shape our times since 1966.
| May 11, 2006
Hit and miss
Boston Ballet didn’t need Mark Morris’s blessing in 1999, and it doesn’t need it now.
Visiting and home teams swing for the fences
| March 22, 2006
Theater of war
Saving Private Ryan reprised the glory days of GI Joes fighting nobly at Normandy, but it certainly didn’t spawn a comeback of World War II combat flicks.
The HFA brings back the good old days of combat movies
| February 02, 2006
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