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If your name were King Bishop, you'd know how to play chess, right?
Balls, pucks, and monster trucks
| March 25, 2011
The Flaming Lips | Embryonic
If new albums by Super Furry Animals, 50 Foot Wave, and the Flaming Lips are any indication, 2009 is smack in the middle of a new psychedelic age.
Warner Bros. (2009)
| October 09, 2009
Having Antonio Sanchez explain the difference between "straight 8's" and "swing 8's" is a bit like having Einstein explain long division — total waste of the dude's time.
Antonio Sanchez's ambidextrous mind, and Cirkestra's big top
| February 09, 2009
What Should Never Be
On this Saturday afternoon, the legions of the School of Rock (Boston branch) were pretty much indistinguishable from the real Led Zeppelin, who were themselves teenagers when they formed in the late ’60s.
The Paul Green School Of Rock Boston Presents A Tribute To Led Zeppelin at the Middle East Upstairs, October 25, 2008
| October 28, 2008
Maybe it’s because dressing up as the economy would be kind of lame, but I’m haven’t heard Jack O’Shit in the way of truly scary costume ideas this year.
When bands dress up for Halloween, it’s creepy
| October 28, 2008
Led Zeppelin have rarely missed a promotional opportunity, and the occasion of their current reunion is no exception
Getting through The Song Remains the Same
| December 04, 2007
Jimmy Page: After the Yardbirds...
This article originally appeared in the February 5, 1969 issue of the Boston Phoenix .
Comes Led Zeppelin
| October 25, 2006
From the top
The scene was not atypical for a Thursday night at the Lizard Lounge. Club d'Elf, "Intro/Bass Beatbox" (mp3)
Mike Rivard and Club d’Elf finally rehearse
| October 04, 2006
'Some people have songs about ex-girlfriends. We don’t have songs like that.’ Aberdeen City, "God is Going to Get Sick of Me" (mp3)
Aberdeen City prepare for a national breakthrough
| September 12, 2006
Jung at heart
Standing in front of the blossoming AV screens, Maynard Keenan is Col. Kilgore on the beach in Apocalypse Now , an apparition of stolid derangement, now and again accenting a particularly colossal time-change with a slow-motion karate kick.
Tool at the Orpheum
| May 25, 2006
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