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Sandra Feinstein-Gamm Theatre
Sandra-Feinstein Gamm Theatre
The Gamm’s Circle Mirror Transformation
It could be called the water cooler effect: casual contacts among unlike people, repeated often enough, can lead to unlikely friendships.
Real-life role playing
| September 23, 2011
Review: The Gamm's Paul examines the power of faith
Looking at Christianity objectively, historically, can appear to be critical, since religion is a matter of faith.
| April 01, 2011
Review: A riveting Who's Afraid of Virginia Woolf?
Edward Albee’s brilliant, savage first full-length play, Who’s Afraid of Virginia Woolf? , needs to be done marvelously or not at all. So, thank goodness this Perishable Theatre production is a marvel indeed.
| September 10, 2010
Talking ’bout a revolution
It takes a theatrical genius like Tom Stoppard to come up with Rock ’n’ Roll, which merges the pulsing spirit of both until they feel like one. And it takes a theater of the caliber of the Gamm to make history feel like a Stones concert that becomes a po
The Gamm’s life-affirming Rock ’n’ Roll
| May 07, 2010
Brilliant and infuriating
Shakespeare didn’t slow dance when he wrote Romeo and Juliet — he went for the essence of impetuous young love like a brisk waltz.
The Gamm’s conflicted Romeo and Juliet
| October 30, 2009
Ideas and emotions
Grace takes place in the recent memories of the title character as well as in her difficult present. The basic concern here, which nags her like a toothache, is the non-existence of the divine.
The Gamm delivers Grace at a fever pitch
| March 17, 2009
At this time of renewed political idealism in the country, director Judith Swift has labeled the London setting of An Ideal Husband , at the Gamm through December 7, as "inspired by the 19th century, set in the 20th century, reflected in the 21st centu
The Gamm's An Ideal Husband
| November 12, 2008
Anything but tame
Director Peter Sampieri and an ace troupe are mounting a slam-bang production of the comedy that sparkles with originality and resolves a feminist objection to the play that we can assume is older than the play itself.
A smart take on Shakespeare’s Shrew
| May 20, 2008
Nixon being Nixon
Nixon’s Nixon is to Richard Nixon what Dante’s Inferno was to Satan, though less sympathetic.
Gamm’s funny night at the White House
| October 30, 2007
Abuse and power
Enhanced Interrogation Techniques, the four one-act plays at the Sandra Feinstein-Gamm Theatre is not for the squeamish, but not in the way you think.
The Gamm's timely and troubling Enhanced Interrogation Techniques
| January 30, 2007
Peace and war
War. What is it good for? More than absolutely nothing, the indomitable title character of Bertolt Brecht’s Mother Courage and Her Children would contend.
Gamm’s compelling Mother Courage
| September 19, 2006
Easy not over
It’s official, the Big Easy has been sold.
| July 19, 2006
The culmination of a grim trilogy from Martin McDonagh, the bad boy of modern Irish theater.
Passion at play in The Lonesome West
| February 01, 2006
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