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Leipzig Gewandhaus Orchestra
Burbage’s muddled Maids
There are employee/employer disputes and then there is Jean Genet's The Maids , which makes the West Virginia railroad riots of 1877 look like an arms-crossed kid pouting over spinach on a plate.
| August 19, 2011
Stopping by a stark Genet show
When it is Claire's turn to be Madame, she paints her lips and cheeks a garish crimson. She preens, pouts, flounces, demands to be dressed in her white gown with the spangles.
| May 27, 2011
Review: Great Directors
The chore is to blank out Greek filmmaker Angela Ismailos's clueless, indulgent voiceover and moony on-camera presence and enjoy the commentary of the filmmakers she's tracked down in Europe and America.
Documentary about filmmakers nearly derailed by its own not-so-great director
| July 30, 2010
Excerpt: Patti Smith's Just Kids
The stars were lining up to enter the Ziegfeld Theatre for the glittering premiere of the film Ladies & Gentlemen, the Rolling Stones. I was excited to be there.
Rock icon Patti Smith recalls burroughs and Mapplethorpe, the early days of CBGB, and saddling up for Horses in this memoir excerpt .
| March 05, 2010
"I can no longer stand to let this travesty continue," sings a character in Madame White Snake , the new opera based on an ancient Chinese legend co-commissioned by Opera Boston, which has just presented its world premiere. I'm afraid I shared the senti
Opera Boston presents the world premiere of Madame White Snake; plus the Leipzig Gewandhaus and Boston Philharmonic
| March 05, 2010
At some point while watching the features in the Harvard Film Archive's "Le Film Maudit" ("cursed films") series — perhaps during the "Circle of Shit" chapter in Pier Paolo Pasolini's SALÒ, OR THE 120 DAYS OF SODOM — you might ask yourself, which is mor
"Le Film Maudit" at the HFA
| July 17, 2009
The first striking thing about Annabel Daou's exhibit, "Knot," at Brown University's Bell Gallery (64 College Street, Providence, through March 8) is the room itself.
Annabel Daou's disorienting 'Knot'
| February 03, 2009
Providence used to be a more interesting theater town back before its off-Trinity mainstays, 2nd Story Theatre and the Gamm, moved up and over to Pawtucket and Warren, respectively.
The Brown/Trinity Rep Consortium
| December 10, 2008
“We will be fighting for forty years.” Reading those words at the end of Norman Mailer’s 1968 Miami and the Siege of Chicago , you can’t help but feel a chill.
Mailer on the ’68 conventions
| August 19, 2008
They were, by definition, misfits.
Daydream Nation tops our list of 10 landmark albums that made indie rock
| July 16, 2007
My Ellen Willis
When I was a queer teenager in suburban New Jersey in the early 1960s, I decided that I wanted to be Susan Sontag.
Making sense of a woman who was always two or three steps ahead of the Zeitgeist
| November 30, 2006
Censored artwork hits the road
The controversial art of Thomas Manning, a man branded a cop killer by his detractors and a political prisoner by his supporters, returned to the USM campus that had sent it packing one week earlier when some seventy supporters gathered there last Friday
Supporters take prisoner’s paintings for a walk
| September 20, 2006
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