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Boston Symphony Orchestra
A modest epic tale
What beautiful voices and music in this event. Steven Jobe’s Joan of Arc: An Opera In Three Acts is at once ambitious and quite modest, but vocally and musically it remains a pleasure throughout its three brief acts at the Blackstone River Theater in Cum
Steven Jobe’s haunting Joan of Arc
| May 21, 2010
In my review of the memorable Brahms performances Sir Simon Rattle led with the Berlin Philharmonic Orchestra for the Celebrity Series of Boston last month, I should have mentioned that one decision responsible for the beauty and spaciousness of the or
The BSO's Brahms, Ben Zander's Wagner, Collage New Music, and the BEMF's Handel
| December 04, 2009
Center of gravity
If all those young people at last Thursday's BSO concert didn't leave Symphony Hall feeling excited about classical music and eager to come back, then classical music is in even more trouble than I thought.
Shi-Yeon Sung and Nelson Freire at the BSO; plus the Schubertiade Music Players and Emmanuel's St. Matthew Passion
| April 17, 2009
Jane Ring Frank's Boston Secession, which calls itself a "professional choral ensemble," began its 12th season with a short but ambitious program.
Boston Secession, the Takács Quartet and Muzsikás, Russell Sherman
| November 18, 2008
Probably most music lovers wouldn’t head their greatest-composer list with Carl Orff, despite the popularity of his violent, garish, sumptuously tuneful Carmina burana .
The BSO’s Carmina burana, the Cantata Singers, the Boston Camerata, and BLO’s Tales of Hoffmann
| November 11, 2008
All over again
The Boston Symphony Orchestra program for last week’s four concerts was a familiar one.
Brahms from Levine and Kissin, Emmanuel’s Bach B-minor Mass, the Cantata Singers’ Kurt Weill cabaret
| April 15, 2008
Knussen’s interludes, barely seven minutes, are a complex but attractive mix of the seductively creepy and the intricately lively.
Julian Kuerti leads the BSO and Leon Fleisher, Stockhausen’s Mantra at Harvard, Emmanuel’s St. John Passion
| March 12, 2008
Yes, he'd be missed
In the 1980s and ’90s, performances of Gilbert & Sullivan operettas by Richard Conrad’s Boston Academy of Music were a Thanksgiving-weekend tradition.
Richard Conrad's The Mikado at Jordan Hall, November 24, 2007
| November 27, 2007
Beyond the fringe
It was a good week for chamber opera: Bluebeard’s Castle from the BSO, Curlew River from Intermezzo.
The BSO’s Beethoven, Schoenberg, Bartók, and Brahms; Intermezzo’s Britten; Zander’s Mahler
| November 20, 2006
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