James Robinson

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Mr. Respectable

Last Wednesday, oft-vilified media mogul Rupert Murdoch announced that News Corp. — parent company of (among others) the Times of London, the New York Post , and Fox News — will soon begin charging readers for access to all its news sites.
What's behind Rupert Murdoch's paid-content push? Plus, the ambitions of BoMag's new editor.
By ADAM REILLY  |  August 14, 2009

On (and off) track

It’s an expensive, elegant set, a lovingly detailed theatrical reproduction of railway cars on the Orient Express, the famous train connecting Paris and Istanbul.

Boston Lyric Opera’s Seraglio, BU’s Barbiere di Siviglia, Andy Vores’s No Exit, the BPO’s Bartók and Brahms

By LLOYD SCHWARTZ  |  April 29, 2008

Is there a pianist in the house?

Moved and excited by pianist Leon Fleisher in Beethoven’s Emperor Concerto with the Boston Symphony, I wanted to hear it again.
A last-minute Emperor at the BSO, Gatti and Ohlsson, BLO’s Elisir, and Brahms meets Weill with the Cantata Singers
By LLOYD SCHWARTZ  |  March 18, 2008


It would be fun to report that in the same weekend Bostonians got to hear two operas from two different centuries that take place on their home turf.
Boston Lyric Opera’s Un ballo in maschera ; Scott Wheeler’s The Construction of Boston
By LLOYD SCHWARTZ  |  April 05, 2007

Carried away

I’ve heard a lot of music in the past couple of weeks — concerts by two major symphony orchestras, with two major young violinists, a hot new-music group, and two opera productions.
Frederic Rzewski, eighth blackbird, Yan Pascal Tortelier & the London Philharmonic, Emmanuel Krivine & the BSO, BLO’s La traviata, Teatro Lirico’s magical Flute
By LLOYD SCHWARTZ  |  April 04, 2006