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Tod Machover's Death and the Powers, plus Norrington's C.P.E. Bach and the Cantata Singers' B-minor Mass
In her director's note for the American premiere of Death and the Powers: The Robots' Opera , Diane Paulus, artistic director of the American Repertory Theater, wrote that this "work of music-theater . . . has brought together artists from the widest r
| March 25, 2011
Leaving the Cutler Majestic after the opening night of Opera Boston’s latest Offenbach, La Grande-Duchesse de Gérolstein , you could see the smiling faces of an audience that had had a good time.
Opera Boston’s Offenbach, Thomas Quasthoff, the BSO, Boston Baroque, and BU’s Sondheim
| May 14, 2010
The destructive power of jealousy makes a good subject for opera.
John Harbison's Winter's Tale, Dvorák's Rusalka, Hans Graf with the BSO, Mark Morris's music
| March 24, 2009
Boston Lyric Opera follows up Dvorák’s moonstruck Rusalka, with Christopher Schaldebrand in the title role of Mozart’s Don Giovanni, the BSO and much more.
From Don Giovanni’s hell to Haydn’s Creation
| March 17, 2009
Jeffrey Rink has just ended his 18th and final season as music director of Chorus pro Musica. He’ll be missed.
The Cantata Singers’ Weill retrospective, Mark Morris leading Dido , Chorus pro Musica’s Carmen
| June 03, 2008
“Deep, tough, devout — and in church! It’s a miracle!”
Emmanuel’s memorial for Craig Smith, plus Russell Sherman’s Bach, the Royal Concertgebouw, and Handel’s Semele
| February 05, 2008
James Levine and the BSO resumed their Beethoven/Schoenberg series with superb performances of two pieces at the opposite ends of the Schoenberg spectrum.
The BSO’s Schoenberg and Beethoven; Boston Baroque’s Don Giovanni; Opera Boston’s La clemenza di Tito
| October 24, 2006
Making it new
The avant-garde ain’t what it used to be.
Ballet mécanique in Washington, the Callithumpians’ Xenakis, Mark Morris in New York and Boston, Yo-Yo Ma at the BSO, Harbison’s But Mary Stood
| March 21, 2006
Us, writ large
Mark Morris’s L’Allegro, il Penseroso ed il Moderato is a dance as big as its name, as big as its illustrious associates and enablers, George Frideric Handel, John Milton, William Blake, and a contemporary galaxy of dancers, musicians, and designers.
Mark Morris’s L’Allegro
MARCIA B. SIEGEL
| January 24, 2006
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