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Henry Purcell

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Review: BEMF's Dido and Aeneas

Henry Purcell was lucky.
Plus the BSO's Schumann and Harbison, Haochen Zhang, and a Concert for the Cure
By LLOYD SCHWARTZ  |  December 10, 2010

Year in Dance: Reusable histories & durable trends

Conservation is a good thing in these times, and some of the most interesting performances drew on the uses of history — personal history, performance history, and even some inventions that sought to overturn history.
No startling breakthroughs, but that's okay
By MARCIA B. SIEGEL  |  December 22, 2008
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A song to sing, O!

Seiji Ozawa returns to the BSO, Boston Early Music Festival's 17th-century chamber operas, the Bostonians' Yeomen of the Guard
Seiji Ozawa returns to the BSO, Boston Early Music Festival's 17th-century chamber operas, the Bostonians' Yeomen of the Guard
By LLOYD SCHWARTZ  |  December 02, 2008
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Grand finales

Jeffrey Rink has just ended his 18th and final season as music director of Chorus pro Musica. He’ll be missed.
The Cantata Singers’ Weill retrospective, Mark Morris leading Dido , Chorus pro Musica’s Carmen
By LLOYD SCHWARTZ  |  June 03, 2008
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Dido's fate

Henry Purcell might not have approved Mark Morris’s contemporary take on Dido and Aeneas, but he probably would have recognized it for its formality and anti-naturalism.
Mark Morris at the Majestic
By MARCIA B. SIEGEL  |  June 03, 2008
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Altar and ego


Mark Morris’s Dido and Aeneas
By JEFFREY GANTZ  |  May 30, 2008


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Maestro!

Next week, the Celebrity Series of Boston brings back Mark Morris’s dance setting of Henry Purcell’s 17th-century English opera Dido and Aeneas .
Interview: Mark Morris picks up the baton
By LLOYD SCHWARTZ  |  May 19, 2008
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Drama manqué

Sporen , by the Dutch company Leine & Roebana, had two false beginnings before settling down to an hour of movement exploration.
Leine & Roebana at the ICA, Contrapose at Green Street
By MARCIA B. SIEGEL  |  May 12, 2008
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Musical time-travel

Powdered wigs may be fashion-forward, as Portland's State Street Church becomes a time machine, transporting the audience back to the early 1700s.
A Baroque program with the DaPonte String Quartet
By EMILY PARKHURST  |  March 26, 2008
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Double or nothing

The American premiere of Dido took place here in Boston, at the Majestic Theatre in June 1989.
Mark Morris revives Purcell’s Dido and Aeneas at Tanglewood; Cosí fan tutte on Beacon Hill
By LLOYD SCHWARTZ  |  July 03, 2007
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Stairway to Paradise?

It’s a mark of Mikko Nissinen’s ambitions for Boston Ballet that last night’s benefit Gala Performance at the Wang Theatre ended with such a défilé .
Boston Ballet's Gala performance
By JEFFREY GANTZ  |  October 26, 2006


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Variety show

James Levine completed his second season as the Boston Symphony Orchestra’s music director with another riveting though not-quite polished evening of Schoenberg and Beethoven.
James Levine at the BSO, Ewa Podles, Gunther Schuller’s jazz, Ben Zander’s Elgar, Russell Sherman’s Mozart, Opera Boston’s Chabrier, Boston Baroque’s Purcell  
By LLOYD SCHWARTZ  |  March 08, 2006