Hector Berlioz

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Youth movement

In the current Fusionworks production, Locally Grown , artistic director Deb Meunier and her company are welcoming two dance groups from local high schools.
Fusionworks’ Locally Grown
By JOHNETTE RODRIGUEZ  |  May 07, 2010

Stopping time

BSO music director James Levine has returned to Symphony Hall for the first time since October, when back surgery put him out of commission.
The BSO, Peter Maxwell Davies, BCMS, BMOP, Mark Morris, and Christian Tetzlaff
By LLOYD SCHWARTZ  |  February 05, 2010

John Harbison plus 10

Classical music in Boston is so rich, having to pick 10 special events for this winter preview is more like one-tenth of the performances I'm actually looking forward to.
Picking from a packed concert schedule
By LLOYD SCHWARTZ  |  January 01, 2010

Midsummer madness

After a relatively quiet summer, I saw Boston Midsummer Opera's Cosí fan tutte at BU's Tsai Center. Then I raced out to Tanglewood for a Mark Morris program accompanied by Yo-Yo Ma and Emanuel Ax, a BSO matinee with Ma, and all six concerts in the annua
Mark Morris, Yo-Yo Ma, and the Festival of Contemporary Music at Tanglewood, Mozart in Boston, Meyerbeer at Bard
By LLOYD SCHWARTZ  |  August 21, 2009

French kiss

Productions I attended at the Opéra and Opéra Comique would be rare in New York, let alone Boston — though some of the performers would be familiar.
What we don't get in Boston
By LLOYD SCHWARTZ  |  July 10, 2009

Cracking wise

I don’t know that David Mamet’s is a fine Romance , and it certainly doesn’t conjure love at first scene.
Mamet’s Romance with ART; ASP’s Much Ado About Nothing
By CAROLYN CLAY  |  May 22, 2009


Here comes the bride

It's been a long time since Bostonians had the chance to see the most popular Czech opera, Bedrich Smetana's The Bartered Bride , but Opera Boston followed its electrifying run of Shostakovich's The Nose with this tuneful folk opera and gave it a swe
Opera Boston's Smetana, the BSO's Berlioz, and Dawn Upshaw
By LLOYD SCHWARTZ  |  May 08, 2009

Noble melody

For the first time since James Levine became music director of the Boston Symphony Orchestra, this acclaimed Verdi specialist conducted the BSO in a Verdi opera.
James Levine brings us Verdi's Simon Boccanegra ; plus Christian Tetzlaff and Leif Ove Andsnes
By LLOYD SCHWARTZ  |  February 03, 2009

Year in Classical: Celebrate!

In Handel's Hercules, the demented Dejanira's loss is still so painful, I was afraid to listen; now I don't want to hear anything else.
Comings and goings
By LLOYD SCHWARTZ  |  December 22, 2008

A song to sing, O!

Seiji Ozawa returns to the BSO, Boston Early Music Festival's 17th-century chamber operas, the Bostonians' Yeomen of the Guard
Seiji Ozawa returns to the BSO, Boston Early Music Festival's 17th-century chamber operas, the Bostonians' Yeomen of the Guard
By LLOYD SCHWARTZ  |  December 02, 2008

Isn’t it rich?

The biggest musical celebrity in town last week was Broadway great Stephen Sondheim, who filled Northeastern University’s Blackman Hall “in conversation” with his long-time associate, producer/composer Sean Patrick Flahaven.  
Sondheim and Follies , the BSO’s French evening, and Boston Baroque’s Xerxes
By LLOYD SCHWARTZ  |  October 28, 2008


Russian, Spanish, American . . .

What everyone is looking forward to this fall is the return to the podium of Boston Symphony Orchestra music director James Levine.
Music in all accents comes to the concert halls
By LLOYD SCHWARTZ  |  September 08, 2008

Letter from London

How could you not fall in love with this city?
The foggy joys of Europe’s most international city
By LLOYD SCHWARTZ  |  September 05, 2008

Our bad

As the Curator in Chief of the Museum of Bad Art, I would like to thank Ian Sands and the Boston Phoenix for the article about the opening of our new gallery in the Somerville Theatre.
Letters to the Boston editor, May 30, 2008

Epic undertaking

The act four sequence of quintet, septet, and love duet is non-stop musical orgasm.
Berlioz’s Les Troyens at the BSO; Opera Boston attempts Verdi’s Ernani
By LLOYD SCHWARTZ  |  May 07, 2008

Orpheus in the afterworld

Tomsic’s last Boston recital was four years ago. We can’t afford to be without her this long.

Harbison and Mahler at the BSO, and the return of Dubravka Tomsic

By LLOYD SCHWARTZ  |  April 22, 2008


Opera superstar 101

Domingo put his arm around Martínez and whirled her around the stage, asking the audience to sing in their stead.

At 67, Plácido Dominingo makes his Boston concert Debut

By JEFFREY GANTZ  |  April 17, 2008

Singers’ delight

The season may be starting to wind down, but there remain some events music lovers have been waiting for all year.
Spring Arts Preview: Opera and vocal works lead the season
By LLOYD SCHWARTZ  |  March 10, 2008

‘A miracle!’

“Deep, tough, devout — and in church! It’s a miracle!”
Emmanuel’s memorial for Craig Smith, plus Russell Sherman’s Bach, the Royal Concertgebouw, and Handel’s Semele
By LLOYD SCHWARTZ  |  February 05, 2008

Pass the Hollandaise

The first LP I ever bought, way back in 1963, offered Chopin’s E-minor piano concerto performed by obscure artists.
Mariss Jansons and the Royal Concertgebouw at Symphony Hall, February 1, 2008
By JEFFREY GANTZ  |  February 05, 2008

Too much too soon?

Two of the most exciting concerts announced for this winter are on the same date, February 24.
Classical goodies for 2008
By LLOYD SCHWARTZ  |  January 31, 2008


Love and loss

Boston’s biggest classical-music story this year was also its saddest.
Classical: 2007 in review
By LLOYD SCHWARTZ  |  December 18, 2007

Hot and cold

James Levine’s second French program this season with the Boston Symphony Orchestra was more compelling than the one with which he began the season.
More French music plus Osvaldo Golijov at the BSO; Sarasa’s warm tribute to Craig Smith
By LLOYD SCHWARTZ  |  December 11, 2007

How it's done

The problem with the Ninth is that it gets played like a monument.
Jonathan McPhee and the Longwood Symphony perform Beethoven's Ninth
By JEFFREY GANTZ  |  October 10, 2007

Innocents abroad?

Great symphony orchestras don’t just play at home.
The BSO prepares to go on tour
By JEFFREY GANTZ  |  August 22, 2007

Orchestra in transition

The Portland Symphony Orchestra sees light at the end of the tunnel.
Portland Symphony won’t see a new director until 2008
By BEN MEIKLEJOHN  |  May 09, 2007


From Berlioz to Bayadère

The czy ambiance at Symphony Hall made the announcement of the Boston Symphony Orchestra’s 2007–2008 season seem like a family chat with James Levine.
The BSO and Boston Ballet announce 2007–2008
By JEFFREY GANTZ  |  April 03, 2007

Damned good

James Levine returned from his winter break with one of the most thrilling BSO concerts of his tenure: Berlioz’s “dramatic legend,” La damnation de Faust.
Levine’s Berlioz and Wuorinen, Garrick Ohlsson’s Beethoven, the Borromeo’s Shostakovich, the Alloy’s Eagle
By LLOYD SCHWARTZ  |  February 20, 2007

Erwartung . . .

BOSTON SYMPHONY ORCHESTRA music director James Levine will be back in February to continue his survey of Beethoven and Schoenberg with Metropolitan Opera diva Deborah Voigt in Beethoven’s “Ah! perfido” and Schoenberg’s Erwartung (“Awaiting”), along w
Classical goodies for 2007
By LLOYD SCHWARTZ  |  December 28, 2006

Flirting with Beethoven

It is said that Ludwig van Beethoven (1770-1827) “got around.” Even today, the old dog arouses the interests of performers and seduces listeners.
The seductive German is everywhere
By BEN MEIKLEJOHN  |  December 27, 2006