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Gil Evans

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Flesh and blood: Phil Wilson's Miles and Gil

When I first put on Benny Sharoni's new Eternal Elixir (Papaya), there was, as a composer friend of mine likes to say, "nothing wrong with it." That is, it seemed no better or worse than a zillion other straight-ahead tenor-saxophone discs.
Plus Benny Sharoni's hard bop and Ben Powell's fiddle magic
By JON GARELICK  |  November 12, 2010
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Covering Lacy

For Josh Sinton, Steve Lacy stood out almost from the beginning.
A jazz master’s legacy finds traction
By JON GARELICK  |  May 21, 2010
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Steampunk and Lima Beans

The hook for Darcy James Argue's Secret Society — who come to the Regattabar Thursday the 25th — is that they're a "steampunk big band."
Darcy James Argue's Secret Society and the Bert Seager Trio
By JON GARELICK  |  February 12, 2010
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Miles Davis | The Complete Columbia Album Collection

Given the consensus that the CD era is drawing to a close, labels have begun to look increasingly toward the well-heeled — those who not only still buy their music on something they can hold but aren't averse to buying it in supersized, extravagant con
Columbia/Legacy (2009)
By JEFF TAMARKIN  |  December 11, 2009
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Rare birds

Maria Schneider didn’t necessarily know what “The ‘Pretty’ Road” was about when she started writing it.
Maria Schneider and John Stein
By JON GARELICK  |  November 06, 2007
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All them 88s!

From free to funky, it sometimes seems like a golden age of jazz piano.
 A whole lotta pianists and more
By JON GARELICK  |  December 28, 2006


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Joe + Judi

Husband and wife Joe Lovano and Judi Silvano came from different musical backgrounds, but they found home — and each other — in the musical ferment of New York’s late-’70s jazz-loft scene.
Lovano and Silvano are two of a kind
By JON GARELICK  |  September 05, 2006

Flashbacks: July 7, 2006

These selections, culled from our back files, were compiled by Doug Fleischer, Sam MacLaughlin, and Hannah Van-Susteren.
The Boston Phoenix has been covering the trends and events that shape our times since 1966
By EDITORIAL  |  July 05, 2006
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Solo, trio, orchestra

Charlap made the evening a primer on the American Songbook.
A week of live jazz
By JON GARELICK  |  July 05, 2006
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Live, long and uncut

Here’s Miles performing not in the laboratory of the studio but in front of a live audience, unmediated by the mixing board or the razor blade.
Columbia opens Miles Davis’s Cellar Door
By JON GARELICK  |  January 12, 2006