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Fats Domino

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Brian Wilson | Brian Wilson Reimagines Gershwin

George and Ira Gershwin's music may have been the pop music of its day, but — like much of the Great American Songbook — it was more sophisticated than most of the pop of the '50s and '60s.
Disney Pearl Series (2010)
By JONATHAN DONALDSON  |  August 20, 2010

Music to incite the savage beast

Although your superior correspondents try to avoid situations where we have no alternative but to be totally annoying, there have been times when P+J have agreed to karaoke performances.
‘My Way’ can kill you; Big money quashes ‘Big Money’; and a truly Soopah Bowl
By PHILLIPE AND JORGE  |  February 12, 2010

Crescent City health report

“Is much better! The tourists is coming back !” That was our cab driver from Louis Armstrong Airport into New Orleans — a transplanted Haitian from Jefferson Parish.
The New Orleans Jazz + Heritage Festival buoys a wounded community
By JON GARELICK  |  May 06, 2008
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Voice choices

Julie Hardy and Stacey Kent come at jazz singing from opposite ends of the spectrum.
Stacey Kent and Julie Hardy find two different ways to make singing swing
By JON GARELICK  |  November 19, 2007
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Rare birds

Maria Schneider didn’t necessarily know what “The ‘Pretty’ Road” was about when she started writing it.
Maria Schneider and John Stein
By JON GARELICK  |  November 06, 2007
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The Subdudes

It wouldn’t be a Subdudes album without a couple of accordion-led tunes or a soul ballad.
Street Symphony | High Street
By BRETT MILANO  |  September 12, 2007


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New Orleans notes

This year as last, the refrain at the New Orleans Jazz & Heritage Festival was: “We’re back.”
A city holds fast to its soul
By JON GARELICK  |  May 08, 2007
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The roots of rock

In 1939 Arthur Goldberg went to Hollywood and crowned himself Art Rupe, a suitably slick moniker for an entrepreneur in the booming post-war culture industry.
Concord unearths the Specialty catalog
By WAYNE MARSHALL  |  January 02, 2007
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Hip-hop history interview and podcast

Authors Jeff Chang and Brian Coleman talk about the latest wave of hip-hop criticism.
Hip-hop journalism comes of age
By CARLY CARIOLI  |  March 09, 2006