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Erica Cornejo

Latest Articles

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Photos: Boston Ballet presents Black & White (2010)

Boston Ballet's reprise of Jirí Kylián’s Black & White
Boston Ballet presents Jirí Kylián’s Black & White
By ROSALIE O'CONNOR  |  May 28, 2010
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Sparring with the Ultimate

There’s never been a more brilliant exemplar of the ballet art than George Balanchine.
Boston Ballet in The Four Temperaments, Apollo, and Theme and Variations
By MARICA B. SIEGEL  |  May 14, 2010
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Theme and variations

George Balanchine was famous for “non-story” ballets, but when you put three of his works — the usual number to fill up an evening — together, you always get some kind of narrative.
Boston Ballet’s ‘Ultimate Balanchine’
By JEFFREY GANTZ  |  May 14, 2010
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Is it magic yet?

When you've seen every Boston Ballet Nutcracker for the past 20-odd years, and reviewed most of them, it can get a little hard to locate the magic. Then again, when you survey other Nutcracker s around the world you appreciate that there's no place l
Boston Ballet's Nutcracker
By JEFFREY GANTZ  |  December 04, 2009
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Definitions

Boston Ballet’s artistic director, Mikko Nissinen, wants us to think of his company as utterly contemporary, but it’s a tricky balance to pull off.
Boston Ballet’s ‘World Passions’; Streb Brave at the ICA
By MARCIA B. SIEGEL  |  October 30, 2009
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Both ears and the tail for this Carmen

"World Passions," the collection of four works that Boston Ballet opened at the Opera House last night, was more pleasant than passionate until Kathleen Breen Combes sashayed out as the title character in Jorma Elo's Carmen .
Boston Ballet's 'World Passions'
By JEFFREY GANTZ  |  October 30, 2009


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No place like home

The first thing audiences see when the curtain goes up on Boston Ballet's Giselle is our heroine's charming Rhineland-village home, a rustic abode that in Peter Farmer's set is framed by birches, a symbol of fidelity.
Boston Ballet's Giselle fits right in
By JEFFREY GANTZ  |  October 09, 2009
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Smaller, bigger, better

Is Boston in the midst of a ballet boom? You could certainly believe that if you attended Boston Ballet’s fourth annual season-opening gala last Saturday.
Boston Ballet’s fourth ‘Night of Stars’
By JEFFREY GANTZ  |  September 25, 2009
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Terpsichore's delight

There's no end to variety to the fall's dance season, from a Boston Ballet classic to Hawaiian hula and "extreme action" acrobatics.
A season of foot (and body) work
By DEBRA CASH  |  September 18, 2009
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Setting the Wang on fire

Boston Ballet's 'Ballets Russes'
Boston Ballet's 'Ballets Russes'
By JEFFREY GANTZ  |  May 22, 2009
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Slideshow: Ballets Russes at the Wang

Boston Ballet performs "Diaghilev's Ballets Russes Centennial Celebration" at the Wang Theater
Diaghilev's Ballets Russes Centennial Celebration
By PHOENIX WEB STAFF  |  May 15, 2009


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The real deal

Nineteenth-century ballets are not all alike. But Boston Ballet's Sleeping Beauty is the real McCoy.
Boston Ballet's Sleeping Beauty
By BY MARCIA B. SIEGEL  |  May 01, 2009
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Brava Larissa!

The end of an era loomed last night as Boston Ballet opened The Sleeping Beauty — what's likely to be the last story ballet ever to be staged at the Wang Theatre.
Boston Ballet opens The Sleeping Beauty
By JEFFREY GANTZ  |  May 01, 2009
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Slideshow: Boston Ballet's Jewels

Photos from George Balanchine's Jewels, performed by the Boston Ballet.
 Boston Ballet performs George Balanchine's Jewels .
By ERIC ANTONIOU  |  February 27, 2009
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Crowning glory

In 1967, George Balanchine created Jewels for New York City Ballet, and in short order this evening-length triptych — Emeralds , Rubies , and Diamonds — became the crown jewel of 20th-century dance.
Boston Ballet's Jewels
By JEFFREY GANTZ  |  February 27, 2009
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Adam and Eve

A day at New York City Ballet that starts with a matinee of Coppélia and ends with a Balanchine evening might seem to offer merely the contrast between classic and modern, old and new.
It's boy-meets-girl at New York City Ballet
By JEFFREY GANTZ  |  January 13, 2009


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State of the art

Maybe it’s the economy, but Boston Ballet’s third-annual season-opening gala was a sober evening, without the orchestral overture that graced the first two affairs.  
Boston Ballet’s third ‘Night of Stars’
By JEFFREY GANTZ  |  October 17, 2008
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Mastering the masterpieces

It’s not exactly a trip down Memory Lane, but this weekend Boston Ballet is revisiting some pieces and choreographers it hasn’t performed in the Mikko Nissinen era.
Boston Ballet takes on Balanchine, Tudor, and Tharp
By JEFFREY GANTZ  |  May 21, 2008
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Big pond, little pond

Swan Lake is ballet’s prima ballerina because, 131 years after its Moscow premiere, it’s still poised on pointe.
Swan Lake  in Boston and Providence
By JEFFREY GANTZ  |  May 06, 2008
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At long last love?

Boston Ballet has been playing the Romeo and Juliet dating game for almost 25 years now.
Boston Ballet hitches up with John Cranko’s Romeo & Juliet
By JEFFREY GANTZ  |  February 20, 2008
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Twinkle, twinkle

For some 15 years now, Boston Ballet has danced like a major international ballet company, and Mikko Nissinen wants to be sure everybody’s aware of that.
Boston Ballet’s ‘Night of Stars’
By JEFFREY GANTZ  |  January 31, 2008


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Moonbeams

Shakespeare’s A Midsummer Night’s Dream is a dizzy dance of a drama, meandering mystifyingly between May Eve and Midsummer Eve under a moon that goes from new to full swifter than arrow from the Tartar’s bow.
Boston Ballet illumines George Balanchine’s  A Midsummer Night’s Dream
By JEFFREY GANTZ  |  January 24, 2008
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Love after death

At 166 years old and sporting miles of white tulle, Giselle can look pretty moldy.
Boston Ballet redeems Giselle
By JEFFREY GANTZ  |  May 14, 2007
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Love and death

“Classic Balanchine” as opposed to . . . “Jazz Balanchine”? “Porno Balanchine”? What was the alternative?
Boston Ballet's "Classic Balanchine" has all the basics
By JEFFREY GANTZ  |  May 09, 2007
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Sight and insight

“New Visions” is the kind of title ballet-company directors come up with for programs that are sort of new and are hoping for vision.
Boston Ballet’s ‘New Visions’
By JEFFREY GANTZ  |  March 07, 2007
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Stairway to Paradise?

It’s a mark of Mikko Nissinen’s ambitions for Boston Ballet that last night’s benefit Gala Performance at the Wang Theatre ended with such a défilé .
Boston Ballet's Gala performance
By JEFFREY GANTZ  |  October 26, 2006


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Impossible dream?

Don Quixote has been a watershed work for Boston Ballet.
Rudolf Nureyev’s Don Quixote has yet to earn its knighthood
By JEFFREY GANTZ  |  October 25, 2006
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Lambarena redux

All summer long I’ve had the phrase “Do the Lambarena” running through my head, as if it were a dance craze, like the la-dee-dah or the lambada.
Pacific Northwest Ballet and Choreftes at JP, plus BB 2006 – 2007 and a DVD surprise
By JEFFREY GANTZ  |  August 23, 2006