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Eric Worthley

Latest Articles

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Review: Acorn camps, vamps in Shakespeare's Cymbeline

When the servant Pisania (April Singley) enters to herald the opening iambs of Cymbeline , her Elizabethan diction is bracingly offset by her skintight black vinyl and fishnets.
Poetic fetish
By MEGAN GRUMBLING  |  May 13, 2011
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The race is on

Around 7 pm last Saturday at the St. Lawrence, a sealed envelope was sliced open and its contents, handwritten on three slips of paper, were revealed to a full house: “Are you sure you want to go through with this?”
Running through Acorn’s 24-Hour Play Festival
By MEGAN GRUMBLING  |  May 07, 2010
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New voices

For nearly a decade now, Maine playwrights have had a fine friend and benefactor in Acorn Productions.
Acorn’s latest Maine Playwrights Festival
By MEGAN GRUMBLING  |  April 23, 2010
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Planting seeds

For nearly a decade, spring in Portland has heralded the emergence not just of all of us from hibernation, but of playwrights, en masse, from quiet writing rooms.
Acorn tries out four new local plays
By MEGAN GRUMBLING  |  February 26, 2010
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Rise and fall

For years now, the Naked Shakespeare Ensemble has brought its signature fare — stripped-down productions and ravishingly acute attention to the Bard's language — into a slew of non-traditional settings, including the Wine Bar on Wharf Street, SPACE Gall
Naked Shakespeare's Richard II
By MEGAN GRUMBLING  |  May 22, 2009
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Scurrilous scurryings

Pull out your hip flasks, everybody, because a mean fog’s rolled in and some creepy shit has been seen down by the docks: mysterious shipments; creatures torn to shreds; strange thuds, scurries, and squeaks.
Exposed: waterfront workers' rugged vulnerabilities
By MEGAN GRUMBLING  |  November 01, 2006