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Leaving the Cutler Majestic after the opening night of Opera Boston’s latest Offenbach, La Grande-Duchesse de Gérolstein , you could see the smiling faces of an audience that had had a good time.
Opera Boston’s Offenbach, Thomas Quasthoff, the BSO, Boston Baroque, and BU’s Sondheim
| May 14, 2010
The timely highlight of Gil Rose’s latest BMOP (Boston Modern Orchestra Project) concert, “Strings Attached,” was a new/old piece (2004, revised 2009) for two string orchestras by Scott Wheeler now called Crazy Weather — the new title taken from a John
BMOP, and the Christian Wolff festival
| March 26, 2010
Review: Emanuel Ax at Jordan Hall
I don't want to imply that everybody who's anybody was at Jordan Hall Friday night to hear pianist Emanuel Ax's Celebrity Series recital — but that was Yo-Yo Ma sitting two rows in front of me.
Emanuel Ax, live at Jordan Hall on January 8, 2010
| January 15, 2010
After a relatively quiet summer, I saw Boston Midsummer Opera's Cosí fan tutte at BU's Tsai Center. Then I raced out to Tanglewood for a Mark Morris program accompanied by Yo-Yo Ma and Emanuel Ax, a BSO matinee with Ma, and all six concerts in the annua
Mark Morris, Yo-Yo Ma, and the Festival of Contemporary Music at Tanglewood, Mozart in Boston, Meyerbeer at Bard
| August 21, 2009
There’s more to Boston’s classical music scene than the Boston Symphony Orchestra.
The BSO goes traveling, and Berlin comes to Boston
| September 12, 2007
The opening moments of Opera Boston’s new production of Les pêcheurs de perles set me up to expect an extraordinary evening.
Opera Boston’s Pêcheurs de perles, plus Evgeny Kissin, and Bernard Haitink with the BSO
| May 08, 2007
Mark Morris has worked with the Mostly Mozart Festival before, but this year’s commission from the 40-year-old summer music series posed a large-scale challenge, a full evening of new work.
Mozart Dances at Lincoln Center
MARCIA B. SIEGEL
| August 22, 2006
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