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Extreme reduction yields to openness
Encountering Martha Groome's paintings forces one to slow down, observe coloristic and spatial relationships, and ultimately tune in to the works' quietude.
Balancing shapes of color
| June 15, 2012
Painter and sculptor converse at CMCA
Paintings by Elizabeth Cashin McMillen and sculptures by Duane Paluska currently share the main gallery at the Center for Maine Contemporary in Rockport.
An unlikely pairing
| June 10, 2011
Take a seat and consider the chair
Richard Prince's 2008 "Nurse Hat Chair" sits next to a gothic French "Joined Chair" in the first gallery of the extensive "Sit Down!" — book-ending the six centuries of chairs represented in the exhibit.
Form + function
| December 10, 2010
The task of abstraction is never complete. At the very least, there will always be less stuff to represent.
A group show of abstract art at the June Fitzpatrick
| July 23, 2010
A special Maine feel
This may be remembered as the year that the Center for Maine Contemporary Art smashed headlong into a fiscal brick wall, and at this writing it is not clear if, after its current show closes this week, it will open again in the spring.
Exhibitions to remember from 2009
| December 25, 2009
Simple and distinct
“Planes of Abstraction” at the Maine Center for Contemporary Art brings together five artists with broad experience who share a common interest in a simplified image.
Solid, serious abstractions at CMCA
| November 13, 2009
Retro for fall
Leaves are turning, roads aren't crowded; it's time to look ahead for interest in the fall art season.
Major artists of Maine's past go on display
| September 18, 2009
It’s useless, but is it art?
Duane Paluska constructs more than he paints and configures more than he creates.
Duane Paluska manipulates form and function at June Fitzpatrick
| September 12, 2007
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