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Review: ''New Mythologies'' at Candita Clayton Studio
Two years ago I wrote that someone needs to put together a big local survey of Xander Marro's art. As far as I can tell it still hasn't happened.
Prickly pop art
| May 06, 2011
Review: The eye-popping vitality of 'Printed in Providence'
Providence printmaking continues to be the primary representative of the city's art in books from Street World (2007) to Paper Politics: Socially Engaged Printmaking Today (2009) to the Museum of Modern Art's Modern Women (2010). It's a printmakin
| February 25, 2011
10 exhibits that are worth another look
Here's our rundown of the best art of '10.
| December 24, 2010
Review: 'Networks 2009-2010' at the Newport Art Museum
In art communities like Providence, local institutions often ignore their town's history. Which can convey the message that little art made here ever mattered. And the corollary: Little made here ever will matter. Which is, of course, silly in the town
A 'community of makers'
| November 26, 2010
Zacchilli + Kent's 'Night For Day,' Test, and Planka at AS220
Mickey Zacchilli and Natalja Kent's installation "Night for Day" at AS220's Project Space (93 Mathewson Street, Providence, through October 30) is like a manic, feral, black-and-white, punk, strobe light, spook house — just in time for Halloween.
On the dark side
| October 22, 2010
Review: Dan Wood and Pippi Zornoza at AS220
The giant headline on the poster hanging in the window of AS220’s Project Space proclaims: "Antichrist Is Alive, and a Male Jew, Falwell Contends."
Fever dreams and fantasies
| September 17, 2010
The news from No Place
Saya Woolfalk first grabbed people's attention around 2005, with playful-serious installations and videos in which performers masked in bright, patchwork fabric costumes of cartoon leaves and long swinging dreadlocks jumped around small rooms decorated
Saya Woolfalk and the feminist 'heretics'
| March 12, 2010
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