Dirt Palace

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Review: ''New Mythologies'' at Candita Clayton Studio

Two years ago I wrote that someone needs to put together a big local survey of Xander Marro's art. As far as I can tell it still hasn't happened.
Prickly pop art
By GREG COOK  |  May 06, 2011

Review: The eye-popping vitality of 'Printed in Providence'

Providence printmaking continues to be the primary representative of the city's art in books from Street World (2007) to Paper Politics: Socially Engaged Printmaking Today (2009) to the Museum of Modern Art's Modern Women (2010). It's a printmakin
Lasting impressions
By GREG COOK  |  February 25, 2011

10 exhibits that are worth another look

Here's our rundown of the best art of '10.
Excellent expressions
By GREG COOK  |  December 24, 2010

Review: 'Networks 2009-2010' at the Newport Art Museum

In art communities like Providence, local institutions often ignore their town's history. Which can convey the message that little art made here ever mattered. And the corollary: Little made here ever will matter. Which is, of course, silly in the town
A 'community of makers'
By GREG COOK  |  November 26, 2010

Zacchilli + Kent's 'Night For Day,' Test, and Planka at AS220

Mickey Zacchilli and Natalja Kent's installation "Night for Day" at AS220's Project Space (93 Mathewson Street, Providence, through October 30) is like a manic, feral, black-and-white, punk, strobe light, spook house — just in time for Halloween.
On the dark side
By GREG COOK  |  October 22, 2010

Review: Dan Wood and Pippi Zornoza at AS220

The giant headline on the poster hanging in the window of AS220’s Project Space proclaims: "Antichrist Is Alive, and a Male Jew, Falwell Contends."
Fever dreams and fantasies
By GREG COOK  |  September 17, 2010


The news from No Place

Saya Woolfalk first grabbed people's attention around 2005, with playful-serious installations and videos in which performers masked in bright, patchwork fabric costumes of cartoon leaves and long swinging dreadlocks jumped around small rooms decorated
Saya Woolfalk and the feminist 'heretics'
By GREG COOK  |  March 12, 2010