Clothing and Accessories

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The surreal world

Corey Grayhorse offers a style of synthetic glitz that seems to channel our society’s plastic, superficial heart.
Dreamworks by Corey Grayhorse at AS220
By GREG COOK  |  May 21, 2010

Review: The Runaways

The mid 1970s was a time of tight pants and even tighter radio playlists.
Doesn't quite take them back home
By PETER KEOUGH  |  April 09, 2010

Review: Neil Young Trunk Show

If a Neil Young neophyte can find himself rocking in a cinema seat to the spirited, soulful music performed in this second of a rumored triptych of Demme-directed, Young-starring concert documentaries, long-time fans are bound to break their armrests.
Traveling down no "No Hidden Path"
By BRETT MICHEL  |  March 19, 2010

'Herring in a fur coat'

This time of year I look at myself in the mirror and shrink. My face looks like it belongs on the canning shelf with the beans, asparagus, and cukes.
Tasting a Russian party dish
By LINDSAY STERLING  |  March 12, 2010

Your tax dollars at work(1)

The standout piece in the "2010 RISCA Fellowship Exhibition" is Alison Owen's hand-drawn wallpaper installation.
Imago hosts the ‘2010 RISCA Fellowship Exhibit’
By GREG COOK  |  February 12, 2010

Magpie and copyist

If you were going to recount the evolution of hippie guy fashion, you might say that what began with psychedelic ruffled shirts and corduroy pants in 1968 has in late middle age split into two streams: collarless white button-down shirts, usually buttone
Iris Apfel at PEM, Mary McFadden at MassArt
By GREG COOK  |  November 27, 2009


The digerarti

Strapped into Erik Conrad’s electronic vest, I stood waiting for the personal digital assistant, attached by a wire to the outfit, to make a GPS connection.
 ‘Pixilerations’ plugs in Providence art
By GREG COOK  |  October 02, 2009

Review: The Walkmen at Middle East

It was strange to see the sparse instrumentation from which NYC’s The Walkmen drew their atmospheric, honey-dipped sound last Friday at the Middle East.
 The Walkmen, live at Middle East downstairs on September 18, 2009
By DAVID BOFFA  |  September 25, 2009

Victorian jewel

What price beauty? That's the question lovely Grace Hammer has to answer as her world begins to fall apart.
A fictional setting that never fades
By CLEA SIMON  |  September 11, 2009
find list

Back-to-school supplies

After a summer that started with a monsoon and coasted into its final lap with a heat wave, when we talked about Wilco, celebrity deaths, and Shakespeare in the park, when we feared tasers and crime sprees, and we consumed Mexican food and ice cream, w
What you won't find on your syllabus
By DEIRDRE FULTON  |  August 28, 2009
drowsy list

Musical power

The Man in the Chair (Charles Abbott) is a man of a certain age who wears both a sweater vest and a cardigan, feels pangs of a "non-specific sadness," and harbors an abiding nostalgia for the musical theater of yesteryear.
MSMT's lively Drowsy Chaperone
By MEGAN GRUMBLING  |  August 21, 2009

Review: Big Meat Hammer at Geno's Rock Club

On my way to the club, I walked hunched in the drizzle behind a fellow in a leather jacket with white paint on the back: "Punks not dead." I pondered this idea and assumed we were heading to the same place, only to watch him pass by Geno's without a gl
Music Seen
By CHAD CHAMBERLAIN  |  July 03, 2009

The Big Hurt: Durst pantsed, Michaels smooshed

"This isn't a reunion, this is a comeback," quibbled the red-hatted irrelephant in a BBC interview.
Music news in brief
By DAVID THORPE  |  June 26, 2009

Tiga | Ciao!

This Montreal-based electro-house dude made his name with slyly straight-faced covers of Nelly's "Hot in Herre" and Corey Hart's "Sunglasses at Night," and on his second studio disc, he doesn't appear hugely concerned that his original material should s
Last Gang (2009)
By MIKAEL WOOD  |  June 19, 2009

Dr. Lovemonkey: Cautionary Tales

I've been going out with this guy at work for about four months and, although I love him dearly, he seems distant while we are at work.
Dr. Lovemonkey answers your questions
By DR. LOVEMONKEY  |  April 24, 2009