Christopher Krueger

Latest Articles



Charles Ives's Fourth Symphony is a stunner. And Boston Symphony Orchestra guest conductor Alan Gilbert, the New York Philharmonic's music director designate led a stunning performance.
Alan Gilbert with the BSO, plus Collage New Music, Boston Baroque, and Teatro Lirico d'Europa
By LLOYD SCHWARTZ  |  March 10, 2009

Year in Classical: Celebrate!

In Handel's Hercules, the demented Dejanira's loss is still so painful, I was afraid to listen; now I don't want to hear anything else.
Comings and goings
By LLOYD SCHWARTZ  |  December 22, 2008

Over (and under) the top

With only one rehearsal, 31-year-old BSO Assistant Conductor Julian Kuerti confronted a challenging two-and-a-half-hour program of not-quite-standard 19th- and 20th-century repertoire.
Musical chairs at the BSO, the Pacifica at Longy, the Boston Philharmonic's three B's, and the Cecilia's Bach B-minor Mass
By LLOYD SCHWARTZ  |  November 24, 2008

Unembarrassed riches

Some weeks Boston has such musical riches, one wouldn’t want to be anywhere else.
Dutoit and Elder at the BSO, Collage’s Berio, Boston Conservatory’s Turn of the Screw, and Kurt Weill at the Gardner and the MFA
By LLOYD SCHWARTZ  |  February 21, 2008

‘A miracle!’

“Deep, tough, devout — and in church! It’s a miracle!”
Emmanuel’s memorial for Craig Smith, plus Russell Sherman’s Bach, the Royal Concertgebouw, and Handel’s Semele
By LLOYD SCHWARTZ  |  February 05, 2008

No trouble with Harry

Even the concluding Réjouissance movement stomped, a four-on-the-floor Irish reel.
Handel and Haydn's 'Fireworks' at Symphony Hall, January 25, 2008
By JEFFREY GANTZ  |  January 29, 2008


The eyes of Osiris

Jules Massenet composed two operas about the relationship between a beautiful voluptuary and a man of the cloth, both of which take us from the high life of a cosmopolitan sin city to a desert where the heroine dies.
Boston Lyric Opera’s Thaïs, Emmanuel Music’s The Magic Flute
By LLOYD SCHWARTZ  |  May 02, 2006