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Chloe Moretz

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Underworld - Awakening

Review: Underworld: Awakening

The Underworld series got long in the tooth early, but here, in the fourth installment (directed by Swede Måns Mårlind), it grows new fangs.
Brief but bloody
By TOM MEEK  |  January 27, 2012
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Review: Hugo

Martin Scorsese goes Spielberg with Hugo, as dumbed-down as the shortening of the title of Brian Selznick's Caldecott winner implies.
A valentine to early cinema
By ANN LEWINSON  |  November 25, 2011
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The In Crowd: Matt Reeve and Kodi Smit-McPhee

Even though Matt Reeves's previous film was the cult favorite Cloverfield , fans of Swedish director Tomas Alfredson's offbeat Let the Right One In howled when they learned that the American director was remaking their darling for a Hollywood studio.
Raising the stakes on the vampire movie
By PETER KEOUGH  |  October 01, 2010
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Interview: Chloe Moretz

"You are watching a star being born," says Kick-Ass director Matthew Vaughn about Chloe Moretz in the voiceover commentary to the DVD and Blu-ray release of the movie, which came out at the beginning of this month.
Hit-Girl to It Girl
By PETER KEOUGH  |  August 27, 2010
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Voodoo economics

To paraphrase The Communist Manifesto , a specter is haunting Hollywood. Actually, two of them: zombies and vampires. The undead.
What vampire and zombie movies can tell us about the future of capitalism
By PETER KEOUGH  |  May 21, 2010
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Review: Kick-Ass

It’s the greatest introduction of a movie character in at least 10 years, the moment when Hit-Girl (Chloë Grace Moretz) makes the scene.
It’s Chloë Grace Moretz who kicks ass
By PETER KEOUGH  |  April 16, 2010


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Heroine chic

One of the more satisfying moments in Harry Potter and the Prisoner of Azkaban (2004) occurs when 13-year-old Hermione (Emma Watson) unloads a right hook that staggers the villainous Malfoy. “That felt good,” she says, pleased with herself. “Not good,”
Hollywood cashes in on girl power
By PETER KEOUGH  |  April 09, 2010