Catherine Keener

Latest Articles

Short Take: Peace, Love and Misunderstanding

Review: Peace, Love & Misunderstanding

When her husband (Kyle MacLachlan) asks for a divorce, New York corporate lawyer Diane (Catherine Keener) takes her teenage children, brainy vegan Zoe (Elizabeth Olsen) and Werner Herzog-wannabe Jake (Nat Wolff), up to Woodstock to meet her estranged mo
Summer of free love
By ANN LEWINSON  |  June 08, 2012
miranda julys new flick, the future

Review: The Future

First of all let me confess that I'm a sucker for a cute, sad little kitten, especially one with a bum leg; like little Paw Paw, a miserable shelter stray with renal problems and a tiny cast, whom I found the most appealing character for much of Miranda
Miranda July's shaggy kitten story
By PETER KEOUGH  |  August 05, 2011

Review: Cyrus

Helicoptering parents and stay-at-home adult children have been popular issues of late, and at first, the Duplass Brothers' third feature (and their first made with a studio) seems poised to exploit them.
Umbilical discord: The Duplass Brothers get Oedipal
By PETER KEOUGH  |  June 25, 2010

Review: Please Give

Well, I’ve got my first candidate for Best Supporting Actress for 2010: Ann Morgan Guilbert, who plays Andra, the 90-year-old obstacle to the happiness of a disparate group of Manhattanites who range from the utterly selfish to the overly selfless.
Nicole Holofcener’s sweet charity
By PETER KEOUGH  |  May 07, 2010

Review: Percy Jackson & The Olympians: The Lightning Thief

That must've been one rockin' party the gods of Ancient Greece had with the hotties of America back in the early '90s, since they left a string of demigods with absentee-daddy issues behind.
Freaks and Greeks
By BRETT MICHEL  |  February 19, 2010

Review: Where the Wild Things Are

I can’t speak for the kids, but I would rate Spike Jonze & Dave Eggers’s adaptation of Maurice Sendak’s 40-page children’s picture book up there with Up and Wall•E as topping the recent renaissance in children’s movies. If pressed, I’d rank it cl
Jonze, Eggers, and Sendak aren’t kidding around
By PETER KEOUGH  |  October 16, 2009


October lite

We expected the vampires, the werewolves, the zombies, and the homicidal maniacs. Same thing with the android doubles, the alien abductors, the sexually abused pregnant teenager, the Apocalypse, and the post-Apocalypse. But kids' movies?
The outlook is still gloomy, but film finds time for childish things
By PETER KEOUGH  |  September 18, 2009

Word play

The end of the world has always appealed to movie audiences, no more so than now that the prospect is looking more and more likely.
Doomsday is just a state of mind in Synecdoche, New York
By PETER KEOUGH  |  November 04, 2008

Autumn peeves

With pundits already reading political significance into summer blockbusters like The Dark Knight (“Is Batman a stand-in for George Bush? Discuss.”), the meatier movies of fall arrive not a moment too soon.
Films with a full agenda
By PETER KEOUGH  |  September 08, 2008

The play's the thing

Like Tropic Thunder , Hamlet 2 makes its satirical intent known straight away with a flurry of phony, funny commercials.
Steve Coogan masters tragic irony in Hamlet 2
By PETER KEOUGH  |  August 19, 2008

The Boston Phoenix–Alumni Film Critics’ Poll

It’s true, the Boston Phoenix has never won an Oscar.
Our first-ever round-up of the past year’s best movies, with a little help from our friends
By PHOENIX STAFF  |  February 13, 2008


Patty Larceny

When I started off on the "summer of schlubs," I made a couple of rules.
The career of Patricia Clarkson
By RYAN STEWART  |  July 06, 2006

Friends with Money

After Walking and Talking and Lovely and Amazing , bright and ambitious indie filmmaker Nicole Holofcener focuses on the root of all evil, Friends with Money .
Indie filmmaker avoids preachiness and formula
By PETER KEOUGH  |  April 05, 2006

Brokeback breakdown

The most politically loaded Oscar race since Gandhi versus E.T. in 1982 seems to have come down to a contest between the gay-cowboy movie that isn’t really a gay-cowboy movie and the drama about racial conflict that’s really a glib exercise in screenwrit
Mountain ’s Oscar hopes come down with a Crash
By PETER KEOUGH  |  March 07, 2006

Hollywood gives Bush the finger

Except for a few agitators like Sean Penn and Barbra Streisand, people in Hollywood prefer to play down their liberal bent.
Why lefty films look good for Oscar
By PETER KEOUGH  |  January 26, 2006

Hollywood gives Bush the finger - side

Our film editor's predictions
By PETER KEOUGH  |  January 25, 2006