Carlos Molina

Latest Articles


Sparring with the Ultimate

There’s never been a more brilliant exemplar of the ballet art than George Balanchine.
Boston Ballet in The Four Temperaments, Apollo, and Theme and Variations
By MARICA B. SIEGEL  |  May 14, 2010

Theme and variations

George Balanchine was famous for “non-story” ballets, but when you put three of his works — the usual number to fill up an evening — together, you always get some kind of narrative.
Boston Ballet’s ‘Ultimate Balanchine’
By JEFFREY GANTZ  |  May 14, 2010

Crowning glory

In 1967, George Balanchine created Jewels for New York City Ballet, and in short order this evening-length triptych — Emeralds , Rubies , and Diamonds — became the crown jewel of 20th-century dance.
Boston Ballet's Jewels
By JEFFREY GANTZ  |  February 27, 2009

Wising up

Sergei Prokofiev’s two classical ballets invariably find Boston Ballet playing the dating game.
James Kudelka’s Cinderella at Boston Ballet
By JEFFREY GANTZ  |  October 17, 2008

State of the art

Maybe it’s the economy, but Boston Ballet’s third-annual season-opening gala was a sober evening, without the orchestral overture that graced the first two affairs.  
Boston Ballet’s third ‘Night of Stars’
By JEFFREY GANTZ  |  October 17, 2008

Mastering the masterpieces

It’s not exactly a trip down Memory Lane, but this weekend Boston Ballet is revisiting some pieces and choreographers it hasn’t performed in the Mikko Nissinen era.
Boston Ballet takes on Balanchine, Tudor, and Tharp
By JEFFREY GANTZ  |  May 21, 2008


At long last love?

Boston Ballet has been playing the Romeo and Juliet dating game for almost 25 years now.
Boston Ballet hitches up with John Cranko’s Romeo & Juliet
By JEFFREY GANTZ  |  February 20, 2008

Dark victory

It’s a good pairing: together, Serenade and La Sylphide write an essay on doomed love
Boston Ballet in Serenade and La Sylphide
By JEFFREY GANTZ  |  October 31, 2007

Love and death

“Classic Balanchine” as opposed to . . . “Jazz Balanchine”? “Porno Balanchine”? What was the alternative?
Boston Ballet's "Classic Balanchine" has all the basics
By JEFFREY GANTZ  |  May 09, 2007

Sight and insight

“New Visions” is the kind of title ballet-company directors come up with for programs that are sort of new and are hoping for vision.
Boston Ballet’s ‘New Visions’
By JEFFREY GANTZ  |  March 07, 2007

Dreaming and remembrance

Two momentous revivals in town showed us how big the category of classical ballet really is.
Boston Ballet’s Midsummer, Boston Conservatory’s Dark Elegies
By MARCIA B. SIEGEL  |  February 21, 2007


Stairway to Paradise?

It’s a mark of Mikko Nissinen’s ambitions for Boston Ballet that last night’s benefit Gala Performance at the Wang Theatre ended with such a défilé .
Boston Ballet's Gala performance
By JEFFREY GANTZ  |  October 26, 2006

Lambarena redux

All summer long I’ve had the phrase “Do the Lambarena” running through my head, as if it were a dance craze, like the la-dee-dah or the lambada.
Pacific Northwest Ballet and Choreftes at JP, plus BB 2006 – 2007 and a DVD surprise
By JEFFREY GANTZ  |  August 23, 2006

Second thoughts

When Yeats wrote, “How can we know the dancer from the dance?”, he probably wasn’t thinking of the effect different casts can have on the performance of a ballet.
Boston Ballet’s Carmen , round two
By JEFFREY GANTZ  |  May 25, 2006

Up and down

Dance is all about direction.
Boston Ballet looks for direction
By JEFFREY GANTZ  |  May 18, 2006

Hit and miss

Boston Ballet didn’t need Mark Morris’s blessing in 1999, and it doesn’t need it now.
Visiting and home teams swing for the fences  
By JEFFREY GANTZ  |  March 22, 2006