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Salvatore Mancini has photographed factories along the Blackstone River Valley to record a local history of the Industrial Revolution.
Salvatore Mancini’s quest for elemental connections
| June 25, 2010
It is May 1966, in the Prelude Club in Harlem, an Atlantic Records release party.
The Worcester Art Museum shows us ‘Who Shot Rock & Roll’
| March 26, 2010
In the 1930s and '40s, Boston painters developed a moody, mythic realism. They mixed social satire with depictions of street scenes, Biblical scenes, and mystical symbolic narratives, all of it darkened by the shadow of the Great Depression and World W
Boston Expressionism in context
| December 18, 2009
The show presents works by artists that influenced the Impressionists and artists who were, in turn, influenced by this most powerful of artistic movements.
What the Impressionists can still teach us
| October 02, 2008
It’s an uneven show with a dour vision that leaves a mediciny taste in your mouth — and, I think, offers signs of a generation gap among curators.
"Black Womanhood" at Wellesley College’s Davis Museum and Cultural Center
| September 23, 2008
Mortification of the flesh
“Global Feminisms” at Wellesley College’s Davis Museum could be one of the most important exhibits of the year.
'Global Feminisms' turns sexism inward
| September 26, 2007
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