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Antony Tudor

Latest Articles

Year in Dance: Reusable histories & durable trends

Conservation is a good thing in these times, and some of the most interesting performances drew on the uses of history — personal history, performance history, and even some inventions that sought to overturn history.
No startling breakthroughs, but that's okay
By MARCIA B. SIEGEL  |  December 22, 2008
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Where the chips fell

Dance history reverberated across Boston during the past few weeks, affirming that how we live now owes a lot to how we’ve chosen to remember — and forget.
Marjorie Morgan, Karl Cronin, Lucinda Childs, and Boston Ballet
By MARCIA B. SIEGEL  |  May 28, 2008
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Mastering the masterpieces

It’s not exactly a trip down Memory Lane, but this weekend Boston Ballet is revisiting some pieces and choreographers it hasn’t performed in the Mikko Nissinen era.
Boston Ballet takes on Balanchine, Tudor, and Tharp
By JEFFREY GANTZ  |  May 21, 2008
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Balancing act

It’s been quite a year for Boston Ballet.
Interview: Mikko Nissinen and Boston Ballet
By JEFFREY GANTZ  |  May 14, 2008
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Stepping stones

The dance is large and sweeping, the music (by an unnamed recorded chorus and organist) majestic.
Tudor and Limón at Boston Conservatory
By MARCIA B. SIEGEL  |  February 25, 2008
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Mastering the motion

“Masters of Motion” is the kind of catch-all title for a dance bill that encompasses everything and puts you in mind of nothing.
‘Masters of Motion’ in Providence
By JEFFREY GANTZ  |  February 12, 2008


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Learning to soar

Ballet has come a long way from its initial image of tights, tutus, and toe shoes.
Festival Ballet’s masterful Motion
By JOHNETTE RODRIGUEZ  |  February 05, 2008
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Dancing in the year of the Rat

If you’re hot for Victoria’s Secret ads and addicted to Dancing with the Stars, Tango Fire will be right up your alley.
Flamenco, funk, and Boston Ballet hit the boards
By DEBRA CASH  |  December 26, 2007
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Tragic tropes and anti-tropes

The only question to ask about a new Romeo and Juliet, besides “Why?”, is “Why New York City Ballet?”
NYCB's Romeo , Boston Ballet's Giselle
By MARCIA B. SIEGEL  |  May 18, 2007
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From Berlioz to Bayadère

The czy ambiance at Symphony Hall made the announcement of the Boston Symphony Orchestra’s 2007–2008 season seem like a family chat with James Levine.
The BSO and Boston Ballet announce 2007–2008
By JEFFREY GANTZ  |  April 03, 2007
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Dreaming and remembrance

Two momentous revivals in town showed us how big the category of classical ballet really is.
Boston Ballet’s Midsummer, Boston Conservatory’s Dark Elegies
By MARCIA B. SIEGEL  |  February 21, 2007