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Review: The Skin I Live In
Pedro Almodóvar applies all his hypnotic control to a sensuous, sinister tale of a plastic surgeon who kidnaps a beautiful woman in order to shroud her in experimental skin.
A sensuous, sinister tale of a plastic surgeon
| October 28, 2011
Review: Puss in Boots 3-D
A mad scientist in The Skin I Live In and a talking cat in Puss in Boots : is there anything Antonio Banderas can't do?
More from the best character of the Shrek franchise
| October 28, 2011
Top cat: "Puss" swag is #1
I won't be seeing "Puss in Boots 3D" until Saturday so I can't weigh in on how good it is. But I think it's pretty...
| October 20, 2011
Review: You Will Meet a Tall Dark Stranger
Can films be mellow and bitter at the same time?
Woody or won't he? Allen's films get darker and stranger
| October 01, 2010
Now that the Oscars are over, let's get dumb.
Spring pimps for summer
| March 12, 2010
Making us stronger
I’m back from the 33rd Toronto International Film Festival, where the unexpected hit among discerning critics was a Boston-made crime melodrama.
Boston’s What Doesn’t Kill You scores at Toronto
| September 17, 2008
Crossword: ''Two by two''
Dissecting a fearsome foursome
| December 12, 2007
Noël Coward may not have been born in a trunk, but he moved into one early.
A Marvelous Party; Mr. Marmalade; Misalliance
| July 18, 2007
Tour de force
Two movies push at each other within Jasmine Dellal’s Gyspy Caravan, which opens this Friday, July 6, at the Kendall Square.
Gypsy Caravan, You Kill Me
| July 03, 2007
Shrek has metastasized into a symptom of and metaphor for the entertainment industry and modern culture in general.
Shrek the Third gets bloated
| May 16, 2007
Where’s the brotherly love for gays and lesbians?
I enjoyed Brokeback Mountain and thought it did a good job of trying to give the rest of the world a window into the joys and sorrows of men loving men.
MARY ANN SORRENTINO
| November 29, 2006
Take the Lead
Liz Friedlander’s pleasant but unsurprising film is a fictionalized Mad Hot Ballroom with rude but redeemable teenagers substituting for the 2005 documentary’s wide-eyed children.
To Sir, With Tango
| April 05, 2006
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