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Anton Corbijn

Latest Articles

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Review: The American

Why so many movies this year about aging secret agents? Probably to accommodate all the aging lead actors.
Gun for hire: Clooney's aim is true
By PETER KEOUGH  |  September 03, 2010
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Joyride

It is May 1966, in the Prelude Club in Harlem, an Atlantic Records release party.
The Worcester Art Museum shows us ‘Who Shot Rock & Roll’
By GREG COOK  |  March 26, 2010
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Fleecing, stealing, shilling, and sucking with impunity

Over the busy holiday season, a tremendous wealth of worthless music-news tidbits slipped through the cracks, unnoticed by a lethargic, goose-sated America.
The Big Hurt: Music news in brief
By DAVID THORPE  |  January 06, 2009
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Y'all come back now . . .

I've always liked the idea of there being some weight to the "nines," meaning: if you're a year, and you're going to perch yourself at the very edge of a decade, you'd better be ready to represent.
Diminishing returns in 2009
By MICHAEL BRODEUR  |  December 30, 2008
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War of independents

The IFFB is determined to wrest cinematic freedom from the imperial power of the Hollywood studios.
The Independent Film Festival of Boston fights for freedom of the screens
By PETER KEOUGH  |  April 22, 2008

Joyful pursuit of excellence

I was as captivated by  James Parker’s article on Joy Division  as I was disappointed by  Peter Keough’s review of Anton Corbijn’s fantastic film Control .
Letters to the Boston editor, November 16, 2007
By BOSTON PHOENIX LETTERS  |  November 14, 2007


Chronicle of a death foretold

What a difference a death makes.
Joy Division were rooted in grim finality. Now, through a series of new books, CDs, and films, the band has found new life.
By JAMES PARKER  |  October 24, 2007
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Pleasures still unknown

Ian Curtis (Sam Riley) of the Manchester band Joy Division wrote songs that evoke, with incantatory inevitability, terror, delight, and ecstasy.
Conventions take Control of Ian Curtis
By PETER KEOUGH  |  October 24, 2007

Disc by disc


The new Joy Division catalogue
By MATT ASHARE  |  October 24, 2007
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War zones

The party’s over. Time for the lessons to begin.
Fall films face terror at home and abroad
By PETER KEOUGH  |  September 12, 2007