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Ann Hobson

Latest Articles

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In the swim

My head’s swimming.
Guerilla Opera, von Stade’s farewell, the BSO, Handel and Haydn, the BPO, and that Tosca
By LLOYD SCHWARTZ  |  October 16, 2009
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The roar of the crowd

I wasn’t there, but the opening-night dissatisfaction with the Met’s new Tosca was widely reported.
‘Opening Night at Symphony,’ Russell Sherman, the Discovery Ensemble, Boston Musica Viva, and the Bostonians
By LLOYD SCHWARTZ  |  October 02, 2009
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Here comes the bride

It's been a long time since Bostonians had the chance to see the most popular Czech opera, Bedrich Smetana's The Bartered Bride , but Opera Boston followed its electrifying run of Shostakovich's The Nose with this tuneful folk opera and gave it a swe
Opera Boston's Smetana, the BSO's Berlioz, and Dawn Upshaw
By LLOYD SCHWARTZ  |  May 08, 2009
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Diva-gations

Last week's Boston Symphony concert was a snaggle of contradictions. British guest conductor Mark Wigglesworth was substituting for the exciting but erratic Russian maestro Yuri Termirkanov, who'd cancelled all his American appearances.
Mark Wigglesworth conducts the BSO; Renée Fleming returns to Symphony Hall
By LLOYD SCHWARTZ  |  April 24, 2009
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Center of gravity

If all those young people at last Thursday's BSO concert didn't leave Symphony Hall feeling excited about classical music and eager to come back, then classical music is in even more trouble than I thought.
Shi-Yeon Sung and Nelson Freire at the BSO; plus the Schubertiade Music Players and Emmanuel's St. Matthew Passion
By LLOYD SCHWARTZ  |  April 17, 2009
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Unembarrassed riches

Some weeks Boston has such musical riches, one wouldn’t want to be anywhere else.
Dutoit and Elder at the BSO, Collage’s Berio, Boston Conservatory’s Turn of the Screw, and Kurt Weill at the Gardner and the MFA
By LLOYD SCHWARTZ  |  February 21, 2008


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Hail and farewell

The season’s most eagerly awaited (and, with its $187 top ticket price, most expensive) classical concert was not a disappointment.
The Berlin Philharmonic’s Mahler, the St. Lawrence String Quartet, and the BSO’s Smetana
By LLOYD SCHWARTZ  |  November 27, 2007
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Ear-popping

Of the three operas recently competing with one another, Opera Boston’s presentation of Donizetti’s Lucrezia Borgia was in some ways the most fun.
Opera Boston’s Lucrezia Borgia , the BSO’s Oedipus Rex  
By LLOYD SCHWARTZ  |  May 09, 2006