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Andrea Arnold

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Interview: Andrea Arnold's romantic realism

People in love do crazy things, especially in Andrea Arnold's films. So adapting Emily Brontë's masterpiece of pathological love, Wuthering Heights , came naturally.

By PETER KEOUGH  |  October 19, 2012
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Review: Wuthering Heights [2012]

Merchant-Ivory this is not. Nor is it any Emily Brontë we've seen before.
Tough love
By PETER KEOUGH  |  October 19, 2012
TIFF VI

TIFF VI


 It’s not just Kevin we need to talk about. There are a lot of bad boys here at the Toronto International Film Festival. Like Brandon...
By Peter Keough  |  September 14, 2011
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Review: Fish Tank

Scottish director Andrea Arnold rushes in where most other directors — male ones, especially — fear to tread.
Andrea Arnold's unsentimental education
By PETER KEOUGH  |  January 29, 2010
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The eyes have it

We’ve come a long way from Krzysztof Kieslowski’s Red , in which a retired judge falls into disgrace for listening in on his neighbors.
Surveillance thriller Red Road experiences peek activity
By PETER KEOUGH  |  May 08, 2007
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Road rules

Dogme is out, done for, as are Lars von Trier’s sly strictures on making Dogme films: only natural lighting, the actors must wear their real clothes, etc.
Andrea Arnold takes on Lars von Trier
By GERALD PEARY  |  May 08, 2007


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Hindsight

“I’m not much on rear-window ethics,” quips Grace Kelly in Alfred Hitchcock’s 1954 masterpiece.
Rear Window is model for Hollywood’s latest trend, a fear-inspired peep-a-palooza
By PETER KEOUGH  |  May 02, 2007