Amanda Seyfried

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shorttakes Gone

Review: Gone

The Portland police department won't be too happy to see themselves outclassed by Amanda Seyfried's big-eyed, waifish Jill in Heitor Dhalia's moody but middling thriller.
Heitor Dhalia's moody but middling thriller
By PETER KEOUGH  |  March 02, 2012

Review: Letters To Juliet

After tugging at our heartstrings in Dear John , Amanda Seyfried once again takes on the role of a do-gooder infatuated with letter writing.
'Tis torture, and not mercy
By SHAULA CLARK  |  May 14, 2010

Review: Chloe

One of the more ambitious genre filmmakers around, Atom Egoyan bravely takes on tawdry tales and tries to subvert them.
A polymorphously perverse tango of voyeurism
By PETER KEOUGH  |  March 26, 2010

Dear John

"We're sitting here . . . and we're talking, but nobody's actually saying anything."
Gonads and strife
By SHAULA CLARK  |  February 05, 2010

Lite at the end of the tunnel?

If you had enough of the end of the world with 2012 , you might be relieved when it comes to 2010.
Fun and games in post-apocalyptic Hollywood
By PETER KEOUGH  |  January 01, 2010

Review: Jennifer's Body

You are no doubt approaching Juno screenwriter Diablo Cody's new venture into horror comedy with gritted teeth, expecting the cinematic equivalent of being bludgeoned into a bloody pulp by an adorable novelty hamburger phone spewing snappy quips out
Diablo Cody's exquisite corpse
By SHAULA CLARK  |  September 18, 2009


Mamma Mia!

The Abba musical, helmed by stage director Phyllida Lloyd, sails to a real Greek island with its fairy-tale aura intact.
Passable, frothy fun
By BETSY SHERMAN  |  July 16, 2008